一座城池读后感

　　一座城池读后感（一）

　　“我其实从来不相信鬼神，但是我从小就固执的认为，空间是固定的，而时间是抽象的。就是说，在一个固定的空间里，有不同的事物和我们分享这不同的时间。我们是不能彼此看见的，在大部分的时间。而我们是不能和比我们更加未来的事物分享这时间，就如同在另外一个时间里，那批事物总是和过去的事物分享着这时间。

　　而时间其实是一个静止不动的东西。只是我们误解了时间的意义，让时间不断向前移动。空间的固定和时间的精致又是完全不同的两个静态。好比我在某个时间看见了之前发生的事情，而其实在我们看来，是因为那件事情留下了太多强烈的精神力量，让它能够长时间地停留在空间和时间的某个交叉里。而与此同时，在我们看见以前发生地事情正感觉到恐惧的时候，那件事情在那些事物的那个时间里，正在真切地发生着。无论是战争或是谋杀或是交通事故，因为一个人或者很多人的精神在瞬间释放了，也就是说，他们死了，但又不是正常死的，所以留下了强烈的讯号。

　　这些讯号有时候异常地强烈，但是他不能做出任何事情。就是说，他只能借助在他出现的那个无限个时间里的无限个事物中以自己的力量去完成某些事情。这取决于那讯号是否强烈到可以控制在同一个空间里的不同的时间里的另外一个生物。

　　这样就很好解释很多恐怖的事情。那不是发生在同一个时间的事情，却在同一个空间里出现了。时间和空间的运作是那么复杂，你总要允许在这复杂的平衡里出现一点失误，就是你看到不同时间里发生的一个正在发生的事情。”

　　我认为这就是这本书的中心，也就是作者对时间和空间的理解，但这段冗长的理论，相信很多人都跳过了。我也是看过几遍后才重新理解这段话的。

　　小说一共写了三次爆炸。第一次是工业区化工厂的爆炸，第二次是大荣液化气站的爆炸，也就是大荣公寓的由来，第三次爆炸出现在小说结尾的高潮部分，并且第二次和第三次商店都在混乱中被洗劫一空。

　　根据我的理解，这三次爆炸是同一场爆炸，只是这场爆炸发生在了三个不同的时间里。由于这一爆炸蝉声了强烈的精神力量，导致了“我”和健叔等人在某个时间看见了之前发生的事情。

　　证据就是：三次爆炸都引发了人们争相出来围观，并造成了治安瘫痪，商店被洗劫一空，更重要的是，三次爆炸都遇到了一个女孩，虽然第一二次作者并没有说出，但她肯定就是永久妹妹。

　　而这一座城池，就是作者所说的时间和空间在运作中出现失误的那一点。在这座城池里，发生在不同时间里的事物在同一空间里交错地发生了。

　　还有一个重要的问题，那就是永久妹妹和C的关系。其实，永久妹妹就是C。

　　证据就是：永久妹妹的男朋友阿雄，他是一个艺术家，他能做出将头插在操场上一个钟头然后自己爬出来，从内裤里掏出一条保护动物的横幅这样的惊人举动，你们有没有联想到什么呢？你们还记不记得“我”和C在英语提高班的时候的那个白痴英文老师所举行的结业考试吗？第一名是“我”而我做了什么呢？“我”从口袋里掏出一盒火柴，然后将里面的火柴拿走，将空盒子给了句老师。正是这白痴的举动，却引发了句老师的大加赞赏，而且给了一个A+，并说，这是老师一直想要的感觉。而那个用卫生巾做了一个沙发的家伙，也得到了老师的赞赏。你有没有发现，这些举动和那个白痴阿雄的举动是那样的相似。C当时正是因为这点才喜欢上了“我”，并且达到了近乎崇拜的地步。由此可见，永久妹妹喜欢上阿雄也是可以理解的。

　　而小说最后一句：“你是害怕了吗，还是别的什么？”

　　最后的情节其实和“我”与C上到高楼的最顶层这一段相似。最顶层跳楼的窗口透过来的光芒温馨而又安详，暗示了另一个世界的入口，“我”当时想要上前看看，摆在面前的有两条路，向前走到那窗户口，或者下楼，后来我感觉C紧紧的抱住我的后背，并最后把我从顶楼拉了下来。

　　而本书最后时，摆在“我”和永久妹妹面前的还是有两条路，一条是往城池外走的，一条是回到那一座城池的，“我”把选择的权利让给了永久妹妹，说：“明天一切都恢复正常了。”永久妹妹先是选择了向城外走的路，跑了大概二十步，她忽然又停下来，说：“转过来跑。”很显然，永久妹妹在私奔和回城池中两条路中，选择了后者，最后，她也是紧紧的抱住了我，于是我转身，在她耳边说：“你是害怕了吗，还是别的什么？”

　　这样的结局算是一种悲伤的结局吧，因为最终还是选择了妥协。因为无论如何，哪个方向，最终都是走不出这座城池的，因为你心中的那个围墙始终在包围着你。

　　每个人心中都有一座城池，当你想逃避时就会躲进去，有的人躲得时间长，有的人躲得时间短，而“我”好像一直都没有走出来。

　　一座城池读后感（二）

　　读完韩寒的《一座城池》，我长长地呼出了一口气。可是心却怎么也轻松不起来，人性中丑陋、中国现实社会中不均衡、一些年轻人的盲目、一些官员的腐败、一些社会的病态，在他的《一座城池》里表露无遗。

　　两个误认自己犯罪杀了人的“逃窜犯”到了一个陌生的城市，开始一段生活，然后经历这个城市里的人生百态，看到这座城池里的黑暗。

　　这就是故事的情节，虽然十分简单，可是却如同一个巨大的垃圾桶，里面装着各色各样的垃圾，灰色的生活，灰色的人生。没有希望的，却又让人常常想入非非的世界。充斥着的永远都是无法言诉的、幽默下的沉重，让人捧腹大笑之余，更加多的是沉思。

　　尤其是结尾，虽然显得有些仓促，但是对无政府主义的描写，也有些深刻。人是不能脱离规则而存立的，失去了束缚那么世界就会乱套。韩寒想表达的也许是，人没有绝对的自由可言，绝对的自由并不能存立，尤其是对于中国人本性里有这样适应自由的基因，如果给他们绝对的自由，那么他们所做的事情，所带来的后果是不能预计的。

　　一座城池，一个畸形社会的缩影，韩寒强烈地抨击构成社会主题的小居民的低素质。本书大量描写了发生一系列事故后“围观者”的心态。其中印象最深的是在大荣公寓楼下的杂货商店发生的火灾，群众关心的是看消防车怎么灭火，而不是火是不是会烧着人。在原本很小的火灾中，以一个老太婆的一脸盆水的泼出而结束了这场火灾。而群众居然想出了以老太婆扰乱治安来制止老太婆继续救火。在大火扑灭之后，消防车为了不让围观看如何灭火的观众失望，居然开起消防龙头，而之后十秒钟人群的散开又预示着什么。这一连串精彩的描写不禁使我摇着头想着眼前的一切。

　　韩寒的《一座城池》用幽默的语言去刻画令人沉重忧伤的社会缩影，正如韩寒亲自提笔写的序言：这部快速而缓慢的，幽默着忧伤的小说，纯粹的是不需言多余的序言的。

　　一座城池读后感（三）

　　这个暑假难得静下心来读一本书，真是苦中有乐，苦读不懂书中的真谛，乐在边读边笑。

　　初读《一座城池》，读不出些什么，只是笑。

　　再读《一座城池》，有点疑惑，还有笑，笑以后，是一阵凄凉。

　　后读《一座城池》，尝到的，是酸味，还有羞愧。

　　《一座城池》也许我永远也不能完全读懂，也许韩寒也不懂。

　　贯穿着这本书的，是韩寒的幽默，与其说是幽默，不如说是黑色幽默，讽刺。

　　让我挑一些出来说说吧：

　　文章一开始，写了主人公到达了一个“全新”的城市，主人公在这个城市里遇到看爆炸的人群，收费奇高的酒店，殴打顾客却放着《让世界充满爱》的日本料理店，puma等名牌的仿制品，中奖后玩文字游戏把奖金缩小十倍的工作人员，梦中抓住买了电视的“我”的那些以公谋私的警察，给健叔看病的医生，朴实单纯的同桌最终跳楼，在大荣公寓下的店铺着火时救火的老太太遭到人的鄙夷以及消防员说的话，呼唤和平友爱的行为艺术家阿雄被人们冷嘲热讽，“我”曾经在上海交的女友以及工业大学里的三个妹妹（不含永久妹妹）的拜金爱情观，路面结冰后在桥下欢欣鼓舞的人们和吊车师傅，都从不同侧面反映了社会的黑暗。但是这些东西对于我们来说，已经是习以为常了，可是当事情都发生在作者身边，发生在同一个城市里面，便使我们觉得荒唐了，这个城市，也是我们生活的这个社会的缩影，而这个城市里面的人性的败坏，这个社会的病态到了哪个程度，也使我们不得不深思。

　　一场一盆水就能解决的“火灾”，居然引来了群众们的围观，偏要看消防队员们的表演，充分夸张地演示出了人情世故。

　　整本书，都在写社会，而我们发出的笑声，也是在笑这个社会，笑这个社会的荒唐，但是我们为什么不觉得我们生活的这个社会也很荒诞呢？(www.lzdaxue.com)那是因为我们都习以为常了，这个习以为常也许是最恐怖了，因为我们对这个社会的各种丑恶的现象都接受了，我们对这些东西都麻木了，该是多恐怖的事情。

　　书里面有一个片段，写的是作者住的公寓旁边的一个森林，都被围墙围住了，进不去，到后面，作者发梦，看见自己进去了，而且他本来就在里面，而且还出不来。其实这个森林，也是社会的缩影，写的是一个人在社会里面，看着这个社会，但也永远逃离不了，作者在森林里面不断地跑，不断地找出口，也写出了，社会里面的人，我们所有人的无助和无奈。

　　文章的结束，由一个爆炸开始，在爆炸里面，人们想到的不是怎样解决问题，而是不断地掠夺钱财，试问，在这个时候，钱财有什么用，但是贪婪的人性已经使人们想不到这些了，街道阻塞，法治管理瘫痪，道德约束不堪一击，人们自私的丑态，也跟随着这个爆炸，爆发了。主人公拉着女友C的手，不断奔跑，也跑不出困境，说明了人，无论怎样挣扎，无论怎样逃离，无论对我们所处的社会多么的不满，也是不能摆脱这个社会对我们的束缚的，这使人多无助。

　　文章的字里行间都写出了韩寒对社会的不满，虽然读起来的感觉觉得很轻松，但轻松之后有一种不能言语的沉重，这本书写出来的东西，我还不能完全弄明白，这个问题太沉重了，韩寒写出这么的一本书，批判社会的书，是他的个性所在，而我，作为一个处于这个混沌社会的一员，已经没有可以清晰地理解整本书的能力了。

　　侠盗罗宾汉英文读后感

　　Robin Hood was a legendary English outlaw. Some people believe he was a real person but most do not. In the story, Robin Hood lived with his band of merry followers in Sherwood Forest in Nottinghamshire. They wore green suits and pointed caps, and they were gay and bold. Robin Hood and his men had many exciting adventures. The Merry Men robbed the rich and gave money to the poor. Robin Hood fought the sheriff of Nottingham, a corrupt official who treated the poor badly. So he became a hero of the common people. Robin Hood was a great archer. He never missed his target. He travelled around the country in many different disguises so that no one knew who he was. Whenever Robin Hood got into trouble he would blow his horn and his men would come to help him.

　　Friar Tuck, Little John, and Maid Marian were the best-known members of his band. Friar Tuck was a fat, jolly priest. Little John stood more than 7 feet tall and was known for his great skill with a bow and arrow. Maid Marian was Robin Hood’s sweetheart.

　　Although Robin fought and robbed landowners, church leaders and government officials, he and his band respected the ruling king, RichardⅠ。 In many stories, the king disguised himself and joined the Merry Men, in order to capture Robin. But the king then discovered that Robin Hood and his fellows were honourable people and pardoned them.

　　隐形人英文读后感

　　The narrator begins telling his story with the claim that he is an “invisible man.” His invisibility, he says, is not a physical condition—he is not literally invisible—but is rather the result of the refusal of others to see him. He says that because of his invisibility, he has been hiding from the world, living underground and stealing electricity from the Monopolated Light & Power Company. He burns 1,369 light bulbs simultaneously and listens to Louis Armstrong’s “（What Did I Do to Be So） Black and Blue” on a phonograph. He says that he has gone underground in order to write the story of his life and invisibility.

　　As a young man, in the late 1920s or early 1930s, the narrator lived in the South. Because he is a gifted public speaker, he is invited to give a speech to a group of important white men in his town. The men reward him with a briefcase containing a scholarship to a prestigious black college, but only after humiliating him by forcing him to fight in a “battle royal” in which he is pitted against other young black men, all blindfolded, in a boxing ring. After the battle royal, the white men force the youths to scramble over an electrified rug in order to snatch at fake gold coins. Three years later, the narrator is a student at the college. He is asked to drive a wealthy white trustee of the college, Mr. Norton, around the campus. Norton talks incessantly about his daughter, then shows an undue interest in the narrative of Jim Trueblood, a poor, uneducated black man who impregnated his own daughter. After hearing this story, Norton needs a drink, and the narrator takes him to the Golden Day, a saloon and brothel that normally serves black men. A fight breaks out among a group of mentally imbalanced black veterans at the bar, and Norton passes out during the chaos. He is tended by one of the veterans, who claims to be a doctor and who taunts both Norton and the narrator for their blindness regarding race relations.

　　The narrator says that he has stayed underground ever since; the end of his story is also the beginning. He states that he finally has realized that he must honor his individual complexity and remain true to his own identity without sacrificing his responsibility to the community. He says that he finally feels ready to emerge from underground.

　　As the narrator of Invisible Man struggles to arrive at a conception of his own identity, he finds his efforts complicated by the fact that he is a black man living in a racist American society. Throughout the novel, the narrator finds himself passing through a series of communities, from the Liberty Paints plant to the Brotherhood, with each microcosm endorsing a different idea of how blacks should behave in society. As the narrator attempts to define himself through the values and expectations imposed on him, he finds that, in each case, the prescribed role limits his complexity as an individual and forces him to play an inauthentic part.

　　Upon arriving in New York, the narrator enters the world of the Liberty Paints plant, which achieves financial success by subverting blackness in the service of a brighter white. There, the narrator finds himself involved in a process in which white depends heavily on black—both in terms of the mixing of the paint tones and in terms of the racial makeup of the workforce. Yet the factory denies this dependence in the final presentation of its product, and the narrator, as a black man, ends up stifled. Later, when the narrator joins the Brotherhood, he believes that he can fight for racial equality by working within the ideology of the organization, but he then finds that the Brotherhood seeks to use him as a token black man in its abstract project.

　　Ultimately, the narrator realizes that the racial prejudice of others causes them to see him only as they want to see him, and their limitations of vision in turn place limitations on his ability to act. He concludes that he is invisible, in the sense that the world is filled with blind people who cannot or will not see his real nature. Correspondingly, he remains unable to act according to his own personality and becomes literally unable to be himself. Although the narrator initially embraces his invisibility in an attempt to throw off the limiting nature of stereotype, in the end he finds this tactic too passive. He determines to emerge from his underground “hibernation,” to make his own contributions to society as a complex individual. He will attempt to exert his power on the world outside of society’s system of prescribed roles. By making proactive contributions to society, he will force others to acknowledge him, to acknowledge the existence of beliefs and behaviors outside of their prejudiced expectations.

　　Over the course of the novel, the narrator realizes that the complexity of his inner self is limited not only by people’s racism but also by their more general ideologies. He finds that the ideologies advanced by institutions prove too simplistic and one-dimensional to serve something as complex and multidimensional as human identity. The novel contains many examples of ideology, from the tamer, ingratiating ideology of Booker T. Washington subscribed to at the narrator’s college to the more violent, separatist ideology voiced by Ras the Exhorter. But the text makes its point most strongly in its discussion of the Brotherhood. Among the Brotherhood, Because he has decided that the world is full of blind men and sleepwalkers who cannot see him for what he is, the narrator describes himself as an “invisible man.” The motif of invisibility pervades the novel, often manifesting itself hand in hand with the motif of blindness—one person becomes invisible because another is blind. While the novel almost always portrays blindness in a negative light, it treats invisibility much more ambiguously. Invisibility can bring disempowerment, but it can also bring freedom and mobility. Indeed, it is the freedom the narrator derives from his anonymity that enables him to tell his story. Moreover, both the veteran at the Golden Day and the narrator’s grandfather seem to endorse invisibility as a position from which one may safely exert power over others, or at least undermine others’ power, without being caught. The narrator demonstrates this power in the Prologue, when he literally draws upon electrical power from his hiding place underground; the electric company is aware of its losses but cannot locate their source. At the end of the novel, however, the narrator has decided that while invisibility may bring safety, actions undertaken in secrecy cannot ultimately have any meaningful impact. One may undermine one’s enemies from a position of invisibility, but one cannot make significant changes to the world. Accordingly, in the Epilogue the narrator decides to emerge from his hibernation, resolved to face society and make a visible difference.