老人与海读后感50字

　　老人与海读后感50字（一）

　　老人既把鱼当做朋友，又当成对手。他赞叹对手的强大，同时又毫不畏惧，可以看出老人内心磊落、蔑视困难的个性。当鲨鱼来临时，老人又临危不乱，猛击鲨鱼，大鱼虽然被吃了，但老人的精神是值得我们学习的！

　　老人与海读后感50字（二）

　　第一：老人那不放弃、不气馁一直乐观的去面对生活，也不去理睬别人嘲笑和讥讽。但我有时做错了事，别人只要嘲笑一下我就不继续办下去，也对此失去了再办下去的信心。

　　第二：抓到鱼后，勇敢地去和鲨鱼搏斗，毫不畏惧。坚强勇敢的去面对困难。但我有时遇到困难不但不去面对，有时还退缩过。

　　老人的这两种精神不正是我们应该学习吗？

　　老人与海读后感50字（三）

　　看到这些，我深深的被老渔夫这种永不言败，毫不气馁，乐观向上的精神所感动。想想自己平时在学校上的妥协，真是惭愧。老渔夫的这种精神，正是我身上所缺少的，我要时刻谨记老渔夫的这种精神，作为自己学习的动力，胜不骄，败不馁，做一个永不言弃的人！

　　老人与海读后感50字（四）

　　以后，我要学习老人的可贵精神，如果遇到了困难，就要向老人一样，去努力、去坚持的把困难解决掉。这样，世界上就没有任何困难来当阻挡你前进的步伐了。

　　老人与海读后感50字（五）

　　老渔夫最终还是胜利了，是因为他说的一句话：“一个人并不是生来就要被打败的，人尽可以被毁灭，但却不能被打败。”这句话让我铭记心中，人生必定会有许多坎坷，艰难，但只要有一颗顽强的心，它将永远成为一个胜者……老渔夫虽然只带回来一根又出又长的鱼骨，但他战胜了大鱼！我真为老渔夫骄傲，同时学习老渔夫的顽强！(www.lzdaxue.com)坚持就是成功，有许多像这样的故事“水滴石穿”，“愚公移山”，“冰冻三尺”等等。

　　老人与海读后感50字（六）

　　老人多么有毅力啊！在茫茫大海中独自一人进行了一场场战斗，但他还是顽强的坚持下来。虽然在海中他也面临成为鲨鱼口中美食的危险，但他用自己的冷静与智慧，把鲨鱼打得节节后退，老人虽然最终没有带回鱼来，但那只是肉体上的失败，老人的精神从没破灭，他用他的行动向我们证明了，一个人可以被毁灭，但精神永远不能被打败。

　　 老人与海读后感300字（一）

　　老渔夫桑提亚哥在海上连续84天没有捕到鱼。起初，有一个叫曼诺林的男孩跟他一道出海，可是过了40天还没有钓到鱼，孩子就被父母安排到另一条船上去了，因为他们认为孩子跟着老头不会交好运。第85天，老头儿一清早就把船划出很远，他出乎意料地钓到了一条比船还大的马林鱼。老头儿和这条鱼周旋了两天，终于叉中了它。但受伤的鱼在海上留下了一道腥踪，引来无数鲨鱼的争抢，老人奋力与鲨鱼搏斗，但回到海港时，马林鱼只剩下一副巨大的骨架，老人也精疲力尽地一头栽倒在陆地上。孩子来看老头儿，他认为桑提亚哥没有被打败。那天下午，桑提亚哥在茅棚中睡着了，梦中他见到了狮子。“一个人并不是生来要被打败的，你尽可以把他消灭掉，可就是打不败他。”这是桑提亚哥的生活信念，也是文中作者要表明的思想。通过桑提亚哥的形象，作者热情地赞颂了人类面对艰难困苦时所显示的坚不可摧的精神力量。孩子准备和老人再度出海，他要学会老人的一切“本领”，这象征着人类这种“打不败”的精神将代代相传。

　　桑提亚哥是海明威所崇尚的完美的人的象征：坚强、宽厚、仁慈、充满爱心，即使在人生的角斗场上失败了，面对不可逆转的命运，他仍然是精神上的强者，是“硬汉子”。“硬汉子”是海明威作品中经常表现的主题，也是作品中常有的人物。他们在外界巨大的压力和厄运打击时，仍然坚强不屈，勇往直前，甚至视死如归，他们尽管失败了，却保持了人的尊严和勇气，有着胜利者的风度。

　　老人与海读后感300字（二）

　　老人与海是美国著名的小说家海名威写的，本文主要讲了：一位古巴老渔夫圣地亚哥在连续84天没捕到一条鱼的情况下决定独自去所有渔夫们此前没有去过的深海打鱼，以证明自己的能力与勇气。在第85天圣地亚哥钓到一条大马林鱼，经过艰苦与搏斗，克服了重重困难，他终于在第88天早晨，将鱼叉刺进了这条鱼的心脏。再返回的途中，老人又遇到了鲨鱼一次接一次的袭击，他用鱼叉、船桨和刀子奋力反击。最后，当他驾驶小船回到港口时，马林鱼只剩下一幅巨大的白色骨架。

　　在连续84天没捕到鱼的情况下，老人没有丧失自信；在质疑下，老人没有丧失自信；在嘲笑中，老人没有丧失自信。他的自信绝对是自信，是不以环境变化而变化的自信，是不用与其他人比较的自信。在老人的生存哲学中，即使遭遇到了极点的背运人也只能自信。

　　老人被打败了，用老人自己的话来说是。从物质的角度来看，老渔夫并不是最终的胜利者，因为，尽管他开始战胜了大马林鱼，但是，最终大马林鱼还是被鲨鱼给吃了，他只是带着大马林鱼的白骨架子回到岸上，也就是说，鲨鱼才是胜利者。可是，从精神的家角度来看，老渔夫就是胜利者，因为他始终没有向大海、大马林鱼，更没有向鲨鱼妥协和投降。就如大音乐家贝多芬所说“我可以被摧毁，但我不能被征服”。

　　老人勇敢，自信难道不是我们学习的榜样吗？

　　老人与海读后感300字（三）

　　我读了美国著名作家海明威的小说《老人与海》，十分佩服小说中老渔夫的意志，他让我懂得了一个人一定要有坚持不懈的精神，才能获得成功。小说描写的是一个年近六旬的老渔夫，在一次单身出海打鱼时，钓到了一条大鱼，却拉不上来。老渔夫同鱼周旋了几天后，才发现这是一条超过自己渔船数倍的大马林鱼，虽然明知很难取胜，但仍不放弃。(www.lzdaxue.com)后来又因大马林鱼伤口上的鱼腥味引来了几群鲨鱼抢食，但老人仍不愿就这样放弃，最终突出重围，将大鱼带回了渔港，让其他渔夫佩服不已。

　　老人与海读后感300字（四）

　　今天，我把《老人与海》这一本书读完了，这一本书主要讲了一位老人在海上钓鱼，可他一连84没有钓上一条鱼。

　　其实这本书我读完后，并没有完全理解这本书的意思，于是我就问了妈妈，妈妈就又给我讲了一遍，我才明白了一些。

　　老人一连84天没有任何收获，可是他没有放弃，仍然不停的给自己加油鼓劲，最后他决定去深海里捕捉一条大大的鱼，于是他就出发了。最后虽然他钓到了一条好大的鱼，但在在往回返的时候却被大鲨鱼给吃光了，只留下了一条巨大的鱼骨头。他很伤心。

　　看完这本书，我心里有点难过。我觉得老人很可怜。

　　老人与海读后感英文版

　　When I was a middle school student, I’ve finished this book in Chinese.But when I read it in English,I really gain something new both in the way of expression and the spirit it shows to us.May be different ages to read the same book we will learn different things from it.At least, for my part, that is true.

　　Firstly,I would like to review some information about this book.Such as the background,major characters and the topic of it.

　　The Old Man and the Sea is a story by Ernest Hemingway, written in Cuba in 1951 and published in 1952. It was the last major work of fiction to be produced by Hemingway and published in his lifetime. One of his most famous works, it centers upon Santiago, an aging Cuban fisherman who struggles with a giant marlin far out in the Gulf Stream.

　　The Old Man and the Sea served to reinvigorate Hemingway's literary reputation and prompted a reexamination of his entire body of work. The novella was initially received with much popularity; it restored many readers' confidence in Hemingway's capability as an author. Its publisher, Scribner's, on an early dust jacket, called the novella a "new classic," and many critics favorably compared it with such works as William Faulkner's "The Bear" and Herman Melville's Moby-Dick.

　　This book gives me a deep impression especially the description about the man’s braveness and persistence.

　　In this book, in order to suggest the profundity of the old man’s sacrifice and the glory that derives from it, Hemingway purposefully likens Santiago to Christ, who, according to Christian theology, gave his life for the greater glory of humankind. Crucifixion imagery is the most noticeable way in which Hemingway creates the symbolic parallel between Santiago and Christ. When Santiago’s palms are first cut by his fishing line, the reader cannot help but think of Christ suffering his stigmata. Later, when the sharks arrive, Hemingway portrays the old man as a crucified martyr, saying that he makes a noise similar to that of a man having nails driven through his hands. Furthermore, the image of the old man struggling up the hill with his mast across his shoulders recalls Christ’s march toward Calvary. Even the position in which Santiago collapses on his bed—face down with his arms out straight and the palms of his hands up—brings to mind the image of Christ suffering on the cross. Hemingway employs these images in the final pages of the novella in order to link Santiago to Christ, who exemplified transcendence by turning loss into gain, defeat into triumph, and even death into renewed life.

　　The major characters in this book are also vivid and lively.

　　Santiago?,the old man of the novella’s title, Santiago is a Cuban fisherman who has had an extended run of bad luck. Despite his expertise, he has been unable to catch a fish for eighty-four days. He is humble, yet exhibits a justified pride in his abilities. His knowledge of the sea and its creatures, and of his craft, is unparalleled and helps him preserve a sense of hope regardless of circumstance.

　　The marlin?,Santiago hooks the marlin, which we learn at the end of the novella measures eighteen feet, on the first afternoon of his fishing expedition. Manolin?,a boy presumably in his adolescence, Manolin is Santiago’s apprentice and devoted attendant. The old man first took him out on a boat when he was merely five years old. Due to Santiago’s recent bad luck, Manolin’s parents have forced the boy to go out on a different fishing boat. Manolin, however, still cares deeply for the old man, to whom he continues to look as a mentor.

　　Joe DiMaggio, although DiMaggio never appears in the novel, he plays a significant role nonetheless. Santiago worships him as a model of strength and commitment, and his thoughts turn toward DiMaggio whenever he needs to reassure himself of his own strength. Perico ?,Perico, the reader assumes, owns the bodega in Santiago’s village. He never appears in the novel, but he serves an important role in the fisherman’s life by providing him with newspapers that report the baseball scores. This act establishes him as a kind man who helps the aging Santiago.

　　Martin,like Perico, Martin, a café owner in Santiago’s village, does not appear in the story. The reader learns of him through Manolin, who often goes to Martin for Santiago’s supper. As the old man says, Martin is a man of frequent kindness who deserves to be repaid.

　　From the very first paragraph, Santiago is characterized as someone struggling against defeat. He has gone eighty-four days without catching a fish—he will soon pass his own record of eighty-seven days. Almost as a reminder of Santiago’s struggle, the sail of his skiff resembles “the flag of permanent defeat.” But the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. He lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless.

　　Because Santiago is pitted against the creatures of the sea, some readers choose to view the tale as a chronicle of man’s battle against the natural world, but the novella is, more accurately, the story of man’s place within nature. Both Santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. As Santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. Santiago lives according to his own observation: “man is not made for defeat . . . [a] man can be destroyed but not defeated.” In Hemingway’s portrait of the world, death is inevitable, but the best men （and animals） will nonetheless refuse to give in to its power. Accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an old man’s trophy catch.

　　The novel suggests that it is possible to transcend this natural law. In fact, the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. It is precisely through the effort to battle the inevitable that a man can prove himself. Indeed, a man can prove this determination over and over through the worthiness of the opponents he chooses to face. Santiago finds the marlin worthy of a fight, just as he once found “the great negro of Cienfuegos” worthy. HSantiago, though destroyed at the end of the novella, is never defeated. Instead, he emerges as a hero. Santiago’s struggle does not enable him to change man’s place in the world. Rather, it enables him to meet his most dignified destiny.

　　While it is certainly true that Santiago’s eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman, and that his attempt to bear out his skills by sailing far into the gulf waters leads to disaster, Hemingway does not condemn his protagonist for being full of pride. On the contrary, Santiago stands as proof that pride motivates men to greatness. Because the old man acknowledges that he killed the mighty marlin largely out of pride, and because his capture of the marlin leads in turn to his heroic transcendence of defeat, pride becomes the source of Santiago’s greatest strength. Without a ferocious sense of pride, that battle would never have been fought, or more likely, it would have been abandoned before the end.

　　Santiago’s pride also motivates his desire to transcend the destructive forces of nature. Throughout the novel, no matter how baleful his circumstances become, the old man exhibits an unflagging determination to catch the marlin and bring it to shore. When the first shark arrives, Santiago’s resolve is mentioned twice in the space of just a few paragraphs. Even if the old man had returned with the marlin intact, his moment of glory, like the marlin’s meat, would have been short-lived. The glory and honor Santiago accrues comes not from his battle itself but from his pride and determination to fight.

　　Santiago dreams his pleasant dream of the lions at play on the beaches of Africa three times. The first time is the night before he departs on his three-day fishing expedition, the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin, and the third takes place at the very end of the book. In fact, the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. Because Santiago associates the lions with his youth, the dream suggests the circular nature of life. Additionally, because Santiago imagines the lions, fierce predators, playing, his dream suggests a harmony between the opposing forces—life and death, love and hate, destruction and regeneration—of nature.

　　This book gives me courage of conquering all kinds of difficulties .And I have the belief that the most beautiful thing is the process that we make our best to achieve our dream,and never say give up .